The One and Only Sparkella
Extraits
Science-fiction
The Only Ones
Premier roman de Carola Dibbell, critique rock emblématique de 70 ans, voici une création mutante qui rappelle les univers de Burgess, de Vonnegut, La Servante écarlate de Margaret Atwood ou le film Le Fils de l'homme. Un roman social et familial, porté par une voix féminine extraordinaire, à la fois naïve et grave, proche d'Huckleberry Finn, du Momo d'Emile Ajar, du Enig Marcheur de Russell Hoban. Une femme a réchappé à une vague de pandémies ayant ravagé la population mondiale. Elle se prostitue sur les docks du Queens, le port de New York déserté, vendant littéralement son corps – ses dents, ses ovules ou son sang – à ceux assez riches pour payer, qui espèrent ainsi se protéger des épidémies. Avec l'aide d'un fermier généticien, elle donne naissance à un clone, Ani. Terrifiée, n'ayant jamais vu d'enfant de sa vie, tout juste capable de s'occuper d'elle-même, elle va devoir protéger sa fille des dangers de ce monde. Après une vie entière passée seule, sans famille, sur les quais froids et humides du Queens, Inez a beaucoup vécu... mais ignore beaucoup. Récit d'une éducation au monde et à soi-même, réflexion ironique sur les rapports de classes (l'Elue est une prostitué de couleur et analphabète du Queens), ce monologue drôle, brut, déchirant et vivant est aussi un grand roman d'anticipation sociale.
08/2017
Architecture
The Turkish Boudoir of Marie Antoinette and Joséphine at Fontainebleau
Ten years apart, Marie Antoinette gives to Fontainebleau two jewels made by the greatest artists of her time : the Turkish boudoir (1777) and the silver boudoir (1786). In these homes of retirement, the queen escapes the label of the Court and combines a fancy Orient with the expression of the most extravagant novelties. The craze for turqueries did not fade in the early nineteenth century and the Empress Joséphine moved a few years later in this women's shelter offering a new sparkle to this universe of the Thousand and One Nights. She had a sumptuous and atypical furniture, which combines mahogany and gilded bronzes with lamé fabrics, embroidered and fringed with gold. After a painstaking restoration, the graceful carved, painted and gilded paneling of Marie Antoinette's boudoir is once again the setting for Joséphine's luxurious furniture. Nestled in a corner of the ancestral castle of Fontainebleau, the Turkish boudoir is the only decoration of its kind preserved in France and one of the most exceptional sets of furniture created for Joséphine.
03/2023
Littérature française
Illumination Hymn and Conferences
Illumination Hymn, Conferences Author : Dr. Shuddhananda Bharati The flame shining vibrations movement is the one person, the irremovable one, I am in all. The flame shining vibrations movement is the only one form enveloping and carrying human bodies and worlds in its illumination light. The flame shining vibrations movement is the only sound Aum. I bow to that flame illumination light. Our natural being, sending hope and help in this illumination hymn itself is liberation in life to all of us Sparks Intelligence - Individuals of the light, to put an end to our sufferings miseries and fears and to feed and make us enjoy here and now in the painless nectar bliss.
06/2014
Non classé
Read Ancient African scripts from any current African language. Volume 2
The son of Douaouf, the brilliant, scribe of the early XIIth Dynasty Xty " Khety " said this : "The man continues to subsist after reaching the haven of death and his actions are beside him in a heap. " If regression is the main cause of the alarming situation of Africa and its tails the perceptibles consequences at all levels, the solution to this problem is eminently political. It inevitably involves the constitution of a pan-African State. For men, there is no unity without memory of the past. In fact, the construction of a federal state inevitably involves the restoration of African historical consciousness. There is no national and federal identity without a common language. The unification of Africa will only be possible if it takes the measure of its linguistic unification issue. To a lesser extent but like Cheikh Anta Diop in his book titled the Cultural Unity, I was animated throughout this heuristic by the idea that only the true knowledge of the past can maintain the consciousness and the feeling of a historical continuity essential to the consolidation of a nation for the purpose of building a multinational state in line with its past. Like Cheikh Anta Diop, I build my sureness on the legitimate idea that a people who lost a significant part of their historical memory must engage in the investigation of their past in every possible way. This investigation can take the contours of a reconnection with its past through so-called old languages. But a people can not live only with by merely repeating of what others tell them about themselves. The investigation through its linguistic past allows especially a direct knowledge of oneself. In addition to the fact that this knowledge simply highlights its weaknesses, it allows also to become aware by an introspective and therefore reflective of its real abilities and strengths. It structures being and the consciousness of being to resist any form of servile and degrading ideology. This quest for the past, not founded on blind passion but objectivity, nourishes a healthy ambition for a real universalism. To know one's past is already to project one's future. To know one's past is to give oneself the capacity to be able to bring to others in a perspective of giving and receiving. To know one's past is to refuse intellectual guardianship and wait-and-seeism. To know one's past is to be reborn.
05/2020
Non classé
Read Ancient African scripts from any current African language. Volume 1
The son of Douaouf, the brilliant, scribe of the early XIIth Dynasty Xty " Khety " said this : "The man continues to subsist after reaching the haven of death and his actions are beside him in a heap. " If regression is the main cause of the alarming situation of Africa and its tails the perceptibles consequences at all levels, the solution to this problem is eminently political. It inevitably involves the constitution of a pan-African State. For men, there is no unity without memory of the past. In fact, the construction of a federal state inevitably involves the restoration of African historical consciousness. There is no national and federal identity without a common language. The unification of Africa will only be possible if it takes the measure of its linguistic unification issue. To a lesser extent but like Cheikh Anta Diop in his book titled the Cultural Unity, I was animated throughout this heuristic by the idea that only the true knowledge of the past can maintain the consciousness and the feeling of a historical continuity essential to the consolidation of a nation for the purpose of building a multinational state in line with its past. Like Cheikh Anta Diop, I build my sureness on the legitimate idea that a people who lost a significant part of their historical memory must engage in the investigation of their past in every possible way. This investigation can take the contours of a reconnection with its past through so-called old languages. But a people can not live only with by merely repeating of what others tell them about themselves. The investigation through its linguistic past allows especially a direct knowledge of oneself. In addition to the fact that this knowledge simply highlights its weaknesses, it allows also to become aware by an introspective and therefore reflective of its real abilities and strengths. It structures being and the consciousness of being to resist any form of servile and degrading ideology. This quest for the past, not founded on blind passion but objectivity, nourishes a healthy ambition for a real universalism. To know one's past is already to project one's future. To know one's past is to give oneself the capacity to be able to bring to others in a perspective of giving and receiving. To know one's past is to refuse intellectual guardianship and wait-and-seeism. To know one's past is to be reborn.
05/2020
Littérature française
Black Orpheus. Edition en langue anglaise
This text, one of the finest written by Jean-Paul Sartre, dates from 1948 and is the accomplishment of the understanding of poems whose aim was not merely literary. To a large degree, it inaugurated the still lively reflexion on Negritude. This text dealing with liberty wich at that time could only be written or spoken about, has lost none of its virtue in a world where many of the profound demands of the black voice have still to be met.
02/1963
Histoire et Philosophiesophie
Charles Darwin's Zoology Notes & Specimen Lists from H.M.S. Beagle
Two long sets of scientific notes were made by Charles Darwin during the voyage of the Beagle. Those transcribed here are concerned with natural history, and although in 1839 he drew on them quite extensively in writing his famous " Journal of Researches ", neither they nor his geology notes have previously been published. He was a superb observer, and recorded vividly and accurately his first impressions of the appearance and behaviour of the wide range of animals, from ants to ostriches, encountered during his travels. Often he performed little experiments on the creatures that he captured, and he was never happy until he had exhaustively explored the why and wherefore of every one of his observations. During the long periods on board ship, he carried out a thorough analysis of hitherto unrecognised features of the internal anatomy of a variety of marine invertebrates, and made elegant pencil drawings of them under his dissecting microscope. The volume also includes his lists of 1 500 specimens preserved in Spirits of Wine, and some 3 500 not in Spirits, with impeccably accurate cross references to the main notes. Although his notes were made strictly for his own use, and were often highly technical, they were well written throughout, and contain many highly readable passages. Only towards the very end of the voyage were his first doubts about the immutability of species consciously pressed, but here are to be found the first seeds of his theory of evolution, and of the important new fields of behavioural and ecological study of which he was one of the principal founders.
01/2000
Photographie
William Gedney. Only the Lonely, 1955-1984
William Gedney (1932-1989) est sans doute le photographe le plus mystérieux de la génération américaine parvenue à maturité entre les années 1960 et 1980. Nul doute que son absence volontaire d'autopromotion et sa discrétion expliquent cette situation, mais également l'incompréhension tenace dont a fait preuve à son égard le directeur du département de la Photographie du MoMA, à cette époque le très influent John Szarkowski. Gedney n'eut droit, de son vivant, qu'à quelques rares expositions dans ce musée prestigieux, et jamais seul... Autodidacte, persuadé que la photographie constituait un moyen d'expression aussi efficace que la littérature (il accompagne d'ailleurs son oeuvre de multiples écrits, journaux, critiques, aphorismes, etc.), Gedney est un magnifique photographe de rue, aussi bien porté vers les sujets ruraux - son travail sur le Kentucky, à la fin des années 1950 est exemplaire - qu'urbains : New York, où il vit le plus souvent, lui offre un champ d'action unique, comme à beaucoup de photographes de sa génération. Tenté par la photographie de nuit (bien avant Robert Adams), attaché à la sensualité diffuse qu'il trouve dans ses sujets adolescents, Gedney se construit un style à mille lieux de tout effet spectaculaire - souvent marqué par son rapport intime au monde -, et que dirige de plus en plus son homosexualité cachée, qui ne se révèlera qu'à sa mort : il fut l'une des premières victimes du sida. Ses reportages sur les parades gays dans les années 1980 constituent, avec sa documentation sur les mouvements hippies de San Francisco à la fin des années 1960, la partie la plus riche de son oeuvre. Ses archives complètes ont été déposées à l'université de Duke (Caroline du Nord) par Lee et Maria Friedlander, ses plus proches amis. Ce catalogue, qui accompagne la toute première rétrospective jamais consacrée à William Gedney, révèle la beauté indéniable d'une oeuvre jusqu'ici très secrète.
06/2017
Littérature française
Tales on exile
In exile one leaves behind the familiar, one becomes a foreigner in a strange place. There are many kinds of exile, and the reasons one seeks a form of escape may differ. You may reinvent yourself and adapt to new circumstances. Throughout this complex process you try to find a way to cling on to your roots. Nostalgia is imminent and sometimes confusing. Each metamorphosis is not only geographic, but also deeply personal. The characters in this collection have confronted exile in their own way.
06/2018
Littérature étrangère
Only
George et Alice Martin, mariés depuis peu, accueillent un tout nouveau membre dans leur famille : Only, un chien de berger orphelin et pataud. C'est le bonheur, mais ils s'aperçoivent vite que le chiot a des idées bien arrêtées et que lorsqu'il veut quelque chose, il est prêt à tout pour l'obtenir. Observateur sensible et insolite, Only regarde la famille évoluer et s'aventurer vers des horizons inattendus. Perplexe, il décide un jour d'abandonner la maison pour partir à la rencontre du vaste monde. Le voyage ne sera pas de tout repos !
Seul l'auteur de Forrest Gump pouvait nous faire passer aussi instantanément du rire aux larmes en nous racontant l'histoire d'un chien… Attendez-vous donc à être ému tout au long de ce roman, à éprouver une empathie et une affection inconditionnelles pour Only, à trembler pour lui, à l'encourager, à rire et à pleurer, jusqu'à un dénouement absolument inoubliable.
10/2016
Théâtre
Impossible lovers
CLAIRE is in charge of a jewelry store. FRANK is a small time hood. A jeweler, who dreams of prince charming, holds up as hostage the man who attempted to break her jewelry. CLAIRE, head of jewelry who has just been let down by a lover she hardly knew, believes that work is her one and only way out. Disappointed, despite the late hour, and after a few drinks, she returns to her jewelry, breaking a store policy, she has disabled security and the guards by pretending that she wants to take advantage of the quiet of the night to update her work. At the same moment, a young ex-con who just got thrown out of a bistro and is passing in front of the jewelry store and decides to break in. Rather than call the police or security, CLAIRE let him in.
02/2013
Anglais apprentissage
LA VIERGE ET LE GITAN : THE VIRGIN AND THE GIPSY
When the vicar's wife went off with a young and penniless man the scandal knew no bounds. Her two little girls were only seven and nine years old respectively. And the vicar was such a good husband. True, his hair was grey. But his moustache was dark, he was handsome, and still full of furtive passion for his unrestrained and beautiful wife. Why did she go ? Why did she burst away with such an éclat of revulsion, like a touch of madness ? Nobody gave any answer. Only the pious said she was a bad woman. While some of the good women kept silent. They knew. The two little girls never knew. Wounded, they decided that it was because their mother found them negligible. The ill wind that blows nobody any good swept away the vicarage family on its blast. Then lo and behold ! the vicar, who was somewhat distinguished as an essayist and a controversialist, and whose case had aroused sympathy among the bookish men, received the living of Papplewick. The Lord had tempered the wind of misfortune with a rectorate in the north country. [...] "Lorsque la femme du pasteur s'enfuit avec un jeune homme sans le sou, le scandale ne connut pas de bornes. Ses deux fillettes n'avaient que sept et neuf ans respectivement. Et le pasteur était un si bon mari. Certes, il avait les cheveux gris, mais sa moustache était restée noire, il était bel homme et brûlait encore d'une passion furtive pour sa belle épouse immodeste. Pourquoi était-elle partie ? Pourquoi s'était-elle arrachée à lui, dans un tel éclat de dégoût, comme un grain de folie ? Personne n'apporta de réponse. Seules, les dévotes dirent que c'était une mauvaise femme. Cependant que certaines femmes de bien gardaient le silence. Elles comprenaient, elles. Les deux fillettes ne comprirent jamais. Blessées, elles jugèrent que c'était parce que leur mère les tenait pour quantité négligeable. Le vent du malheur qui est censé être bon à quelque chose balaya de son souffle les habitants de la cure. Puis, miracle, le pasteur, qui avait une certaine éminence comme essayiste et polémiste, et dont la situation avait su émouvoir certains intellectuels, fut nommé à la paroisse de Papplewick. Le Seigneur avait adouci l'ouragan du malheur par un bénéfice de recteur dans le nord du pays. " [...]
02/1993
Sciences de la terre et de la
Coral reef ascidians of New Caledonia
Ascidians are common marine animals present on all types of substrata but abundant and highly diversified in warm oceans. They represent a large portion of the underwater pictures taken by divers of the ORSTOM center in Noumea.
One millimeter to some decimeters in size, cryptic or brightly coloured, motionless, often in the shade, ascidians are not well known, but are present everywhere. They are surprising not only in their variable shapes but also in their unique biological characteristics. They represent the boundary between invertebrates and vertebrates, although the adults look like stones or sponges.
With a beautiful selection of photographs, the authors discuss the essential anatomy, the modes of budding, the pigments, and the spicules. The ecological requirements are detailed and symbionts, parasites and predators are reviewed. The relationship with man concerns fouling species on ships, their use as food end as a source of pharmacological products.
The final section provides a key for the identification of the most common or spectacular species.
08/1991
Histoire et Philosophiesophie
ARCHIMEDES. What Did He Do Besides Cry Eureka?
THIS BOOK HAS ONLY ONE PURPOSE: To make the discoveries of Archimedes easily accessible to a wide audience, from anyone with a background in high school algebra to a busy practicing mathematician.
Many people have heard two things about Archimedes: He was the greatest mathematician of antiquity and he ran naked from his bath crying, "Eureka, eureka!" Few of us, layperson or mathematician, are familiar with the accomplishments on which his reputation rests. This book describes in detail those astonishing accomplishments: how he
developed the theory of the lever and the center of gravity; how he used the center of gravity to study whether a floating object would tip over; how he summed a geometric series and the squares; and how he found the volume and surface area of a sphere. His ability to do so much with the few tools at his disposal is astonishing. He was like a one-person Institute for Advanced Study, making fundamental discoveries in the fields of geometry, mechanics and hydrostatics.
The exposition is leisurely and supported by a brief life of Archimedes and some 120 illustrations. Any reader who is aware that the graph of y = x2 is a parabola can follow all the reasoning. Although the book uses only high school mathematics, professional mathematicians will find much here of interest as well.
01/1999
Littérature française
Mehersthan Memoir (Meher Baba)
Mehersthan Memoir (Meher Baba) This book is dedicated to the unique One who has assumed a form and name to lead the play of universal existence. He throbs in our loving heart ; He breathes in our living soul. He sings in our fervent spirit and he thinks in our purified mind. That infinite Ancient One from his supernal height, bends towards us to embrace us in his love, and to feed our soul with the nectar of his bliss. Blessed are they that have the mind to know him, the heart to feel him and the love to live in his consciousness ! He may have been born to human parents in Poona, studied in a college, played cricket, left home, have seen great souls, sat alone silent, spoken in gestures, written books - but that is not his history. Many live such a life ; many scholars write books ; many saints sit in contemplation ; many monks leave home for mountain resorts ; but they cannot be one like him. Millions of bulbs challenge in vain the darkness of night. One sun rises and the night dissolves into his golden light. One sun rises and the night dissolves into his golden light. We have seen monks, yogins and saints. Some live alone for peace. Some open Ashrams and collect donations to run them. Some comercialise their name and form. Some display miracles to surprise human minds ; some offer boons ; some predict the future ; some curse you when you do not offer them what they want. Some seek pleasure and treasure. But who seeks God and finds God in the self to awaken God-awareness in other men and women ? Who says "I am God and you are God too"? Who rises above the prattle of words, the rattle of weapons and battle of ideologies to the lofty peace of supersonic silence and pours his blessings from the dizzy height of the soul in tune with God ? Who is he that embraces all in the heart and awakens the soul which has none of the human creations of caste, religion, race, pedigree nor colour ? Editions ASSA, Christian Piaget
07/2017
Histoire et Philosophiesophie
The Undergrowth of Science. Delusion, self-deception and human frailty
Walter Gratzer's themes in the stories he relates in The Undergrowth of Science are collective delusion and human folly. Science is generally seen as a process bound by rigorous rules, which its practitioners must not transgress. Deliberate fraud occasionally intrudes, but it is soon detected, the perpetrators cast out and the course of discovery barely disturbed. Far more interesting are the outbreaks of self-delusion that from time to time afflict upright and competent researchers, and then spread like an epidemic or mass-hysteria through a sober and respectable scientific community. When this happens the rules by which scientists normally govern their working lives are suddenly suspended. Sometimes these episodes are provoked by personal vanity, an unwillingness to acknowledge error or even contemplate the possibility that a hard-won success is a will o' the wisp; at other times they stem from loyalty to a respected and trusted guru, or even from patriotic pride; and, worst of ail, they may be a consequence of a political ideology which imposes its own interpretation on scientists' observations of the natural world. Unreason and credulity supervene, illusory phenomena are described and measured, and theories are developed to explain them - until suddenly, often for no single reason, the bubble bursts, leaving behind it a residue of acrimony, recrimination, embarrassment and ruined reputations.
Here, then, are radiations, measured with high precision yet existing only in the minds of those who observed them; the Russian water, which some thought might congeal the oceans: phantom diseases which called for heroic surgery; monkey testis implants that restored the sexual powers of ageing roués and of tired sheep; truths about genetics and about the nature of matter, perceptible only to Aryan scientists in the Third Reich or Marxist ideologues in the Soviet Union; and much more. The Undergrowth of Science explores, in terms accessible to the lay reader, the history of such episodes, up to our own time, in ail their absurdity, tragedy and pathos.
01/2000
Art contemporain
Hassan Khan. Catalogue de l'exposition, Edition bilingue français-anglais
Tell me about clowns. Once upon a time, there was a species that thought they were better than everyone and everything else. What is the difference between a clown and a joker ? Sometimes they're one and the same. And the knife ? Some humans can be kind, surprising even, while others can act out of fear and negative emotions. Really ?
03/2022
Non classé
German Elements in the Fiction of George Eliot, Gissing, and Meredith
George Eliot, Gissing and Meredith are the nineteenth-century British novelists who, in their fiction, made the most significant and substantial use of German material. The function of this material is twofold, relating both to the life presented and to the presentation. An elucidation of the German references adds not only to a fuller understandig of the individual novels, but also of the author's theory and practice of fiction, and of one of the experimental tendencies in the "wide" tradition of the English novel.
12/1980
Non classé
Nietzsche and the End of Freedom
Nietzsche's writing is not some game of 'freeplay' and terms like 'intertextuality' are useless in discussing its influence. This study takes Nietzsche, then Kafka's Trial, Thomas Mann's Death in Venice, Heinrich Mann's Man of Straw, Rilke's Malte Laurids Brigge and Musil's Törless. It argues that Nietzsche mediates and modernises the dilemmas of Romanticism and that a properly differentiated account of his literary reception can illuminate the dynamics of German culture on the eve of the Great War.
07/1993
Non classé
Planning as Social Process
Planning in this century has been largely influenced by the appeal of scientific activity on the one hand and by reform movements on the other. As a result of this influence, two roles of planning developed with one predominating : an advisory role which adheres to the scientific canon of deta ched objectivity and which is the prevailing version, and an active role where intervention into the development of society is promoted. This duality creates problems for planning theory and practice, especially since the positivist foundation of planning has proven to be inadequate. An examination of logical positivism indicates that a correct social theory can only be critical. This suggests that planning should use critical theory as new epistemological framework.
12/1985
Monographies
Gustave Moreau. The Fables
Gustave Moreau (1826-1898) is one of the most brilliant and enigmatic artists associated with the French Symbolist movement. This book accompanies an exhibition of some of the most extraordinary works he ever made, unseen in public for over a century. Moreau's watercolours of the Fables of Jean de La Fontaine (1621-1695) were created between 1879 and 1885 for the art collector Antony Roux and their stylistic range encompasses historicism and the picturesque, orientalist fantasies and near-abstract chromatic experiments. They were exhibited to great acclaim in Paris in the 1880s and in London in 1886, where critics compared the artist to Edward Burne-Jones. One critic commented on Moreau's ' keen apprehension of the weird. ' There were originally 64 works in the series, which was subsequently acquired by Miriam Alexandrine de Rothschild (1884-1965), but nearly half were lost during the Nazi era. The surviving works have not been exhibited since 1906 and they have only ever been published in black and white. This book is the first to reproduce them in colour - many shown actual size. Created at the height of the French 19th-century revival of watercolour, the variety of subject matter and technique, their colouristic effects and the sophistication of Moreau's storytelling, will be a revelation to readers. Preparatory drawings for the Fables, including animal studies made from life in the Jardin des Plantes demonstrate the wide-ranging research that informed Moreau's visions. Prints after Moreau's Fables by Félix Bracquemond (1833-1914) translate the jewel-like colours into monochrome in some of the most innovative etchings of the age, while the most delicate effects of the watercolours were also transformed into vitreous enamels. In-depth accounts of each watercolour, explaining the story and exploring Moreau's response to it. The introduction will place the series in the long history of illustrations of La Fontaine's canonical work, whose sources include Aesop's fables and traditional European and Asian tales, as well as considering Moreau in the context of his own, turbulent, times.
08/2021
Guides pratiques
Sri lanka wildlife
Despite its small size, just 60,000km2, Sri Lanka boasts a breathtaking array of landscapes, home to a remarkable variety of wildlife. One of Asia's best ecotourism destinations, it has not only the continent's largest land mammal — the Asian elephant — but hundreds of species of birds, reptiles and amphibians, many endemic to the island. Colourful kingfishers, purple-faced leaf monkey and the iconic leopard are all found here. This is also arguably the best place in the world for sightings of blue whale. Written by one of Sri Lanka's leading wildlife experts and photographers, Bradt's Sri Lankan Wildlife — newly updated for this second edition — is the perfect introduction to the best of the country's Bora and fauna.
05/2022
Religion
Glasgow Urban Writing and Postmodernism
Alasdair Gray is one of the most innovative and imaginative writers to have appeared on the Scottish literary scene for many years. Gray radically challenges the vision of Glasgow and Scotland as defined by the traditional Glasgow novel. This study first looks back into the past of Glasgow writing to locate some specific novelistic models which Gray echoes in his fiction. The main part of the study then illustrates that Gray's literary attitude of looking beyond Glasgow (or Scotland) is much more helpful in "imagining Glasgow" than to follow the established and trodden paths of Scottish urban writing. In this sense, Gray proves that the narrative techniques characteristic of postmodernist writing are not only helpful in expressing the often quoted Scottish experience of fragmentation, but also in overcoming the artistic stalemate of the Glasgow novel.
04/1991
Critique littéraire
Ancient Greek by Its Translators
When not familiar with the language itself, most readers over the centuries have had access to the ancient Greek texts only or mostly through (Latin or vernacular) translations. Such an approach is not only indirect and mediated, but also distorted and even impoverishing : meaning then prevails over the linguistic form and substance of the texts themselves. What do later or modern readers read when they read translated texts written in an ancient so-called dead language ? They read a given meaning - sometimes unfaithful, often inaccurate - dictated by a genuine understanding, the blind continuation of tradition, or an untold hidden intention. The complex range of significances conveyed by meaning simultaneously reflects the time and space (called synchrony) of when and where a text has been translated, the historical learning and linguistic skills of the translators, as well as their ideas and style. As a contribution to the perennial debate about translation (mere literary transliteration vs. creative transposition), this volume aims at analyzing some striking cases of various (literary or not) texts translated from ancient Greek showing how much for the seventeenth and eighteenth centuries aesthetics and ideology matter as much as - and often even more than - rigorous philology.
02/2022
Romans policiers
The tears of the mysterious forest
At the start of the school year in Massata, Galia, an enticing young lady showed up in one of the university classes. Her homeric intelligence and her magical beauty would make her the focus, the subject of monologues and desire. Her allure enticed lecturers and mates, the brightest of the class included. They found her interesting and desirable but mysterious and reluctant about her life. The day before her birthday, the young lady decided to open up to the one she was already falling for. That night, something heart-rending happened.
12/2021
Non classé
An Anthology of Czech Literature
Old Czech Literature is one of the big unknowns of verbal art in Europe, familiar only to a small number or experts. Here, for the first time within such a frame, the attempt is made to offer a significant selection in both the original and English interlinear translation. This selection spans all the major genres of fiction of Czech medieval (pre-Hussite) literature. All the texts (complete or in excerpts) are introduced and annotated. Introductory bibliographies help the student and interested reader to obtain further information.
08/1991
Théâtre
Arrival of Mira, Love story between Bhojan and Mira
Arrival of Mira Foreword Arrival of Mira tells the story of a beautiful young woman who held true to her faith despite many severe hardships. Mira was still only a child when she decided that Ginidhara Gopal (Lord Krishna) was her 'husband' and that she wanted to devote her life to serving and worshipping him. Later, the now orphaned Mira was married to Bhojan, the prince of Mewar and son of Rana, the king of Chittoor. Bhojan fell in love at first sight but found it hard to understand Mira's utter devotion to Ginidhara. Mira suffered at the hands of her in-laws who could not understand the depth of her love for Ginidhara and wanted her to follow their worship of Kali (in the form of Durga). Mira suffered imprisonment in a haunted palace and then exile for her beliefs. Even her friends were persecuted because of her uncompromising love for Lord Krishna. Eventually Bhojan came to understand his wife's piety. The story is told in the form of a musical play where the love story is interwoven with delightful songs and dances. The character of Mira is one to win the hearts of all who read of her. Her gentle devotion and steadfast belief are an inspiration to everyone. Thank you, Dr Shuddhananda Bharati for having made this beautiful story available to us. Daye Craddock Editions ASSA, Christian Piaget
03/2013
Non classé
Exchange Marriages in South Punjab, Pakistan
This book deals with the system of exchange marriages in South Punjab, Pakistan. This system does not only regulate mate selection, but it is also an institutional guarantee of reciprocity, welfare and social cohesion. It connects families by means of one marriage, and also creates a double bond between two (or sometimes more) couples. This establishes specific conditions for stability and possible changes in marriage pattern. Valuation and stigmatization as social mechanisms are used to maintain the system of the exchange. It also shows to what degree new forms of cultural values and new patterns of social exchange come into play, create contradictions and undermine the traditional cultural norms. The study focuses on the interplay between structure, culture, and agency (Archer 1996). Thereby, not only the functions and dysfunctions of the system come into view, but also the conditions under which the system is actively being maintained by different actors ; the tensions that it produces between individual and collective perspectives ; as well as the cultural and structural conditions under which marriage practices and concepts are gradually being transformed.
11/2011
Thèmes photo
The Big Book of Breasts. Volume 2, Edition français-anglais-allemand
The Big Book of Breasts was an immediate best seller when it debuted in 2006. Its 396 pages introduced readers to the top naturally bountiful nude models of the 1950s, '60s and '70s, amazingly mammiferous beauties including Joan Brinkman, Virginia Bell, Roberta Pedon, Mary Waters, Margaret Middleton, Keli Stewart and many more. The one and only complaint was that there was no biographical information on these curvaceous cuties, no lists of their magazines and films to give readers a more intimate connection. We listened, and The Bigger Book of Breasts answers ! Not only are there more pages with all new photos of your favorite big breast models of the '50s through '70s, there are also personal profiles for each and every one. Which model married comedian Richard Pryor ? Who inspired Russ Meyer's first film ? Where are those free Mary Waters loops ? And yes, Roberta Pedon is alive and well ! Further updating the "Bigger" theme, we added the 12 most incredible, natural, and provocative breast models of today, gathered from across the world by Berlin-based photographer, Bernd Daktari Lorenz. Nadine Jansen, Milena Velba, Luna Amor, Valory Irene, Miosotis Claribel and the incredible Hitomi Tanaka prove breasts are bigger than ever, and bigger is beautiful, for both breasts and books. Wrap it up with stunning photos of our original cover girl Kelly Madison and The Bigger Book of Breasts is a bigger treat for all.
10/2023
Poésie
Only You
A l'étoile qui traverse le ciel de ses nuits, Isabelle Rolland déclare sa flamme. En slam, en chanson, sur tous les rythmes et tous les tons, elle dit son adoration foudroyante pour l'idole entre toutes : Céline Dion.
07/2021
